The Vanishing

The Yangtze River. The construction of the Three Gorges Dam, the largest in the world will displace 1.5 million people and submerge cities, towns and villages, the collective total exceeding over a 1000 along a 700km stretch on China's longest river. Chongqing, China. 2000.
The Yangtze River. The construction of the Three Gorges Dam, the largest in the world will displace 1.5 million people and submerge cities, towns and villages, the collective total exceeding over a 1000 along a 700km stretch on China's longest river. Chongqing, China. 2000.

By Ian Teh

In 1999, I read in a newspaper about the contentious Three Gorges Dam project. China’s leaders had a grand vision of transforming the Yangtze River into the biggest artificial lake in the world in an attempt to control recurring floods and to generate an estimated 10 percent increase in hydropower energy. To achieve this, they would have to resettle 1.5 million people and submerge 13 cities, 400 towns, 1,352 villages, 1,283 archaeological sites and 30,000 hectares of agricultural land. The scale was incomprehensible to my mind and reason enough for me to visit the Yangtze with the intention to document some of the enormous changes in progress on the landscape and its people.

For four years I made trips to the affected area on the Yangtze River, compiling material for my series The VanishingAltered Landscapes and Displaced Lives. Taking the boat the 700 km from Chongqing to Yichang, I would stop at various ports along the way. On the one hand there was this grand dream of progress, promoted by the government on billboards along the riverbanks; on the other there was the evident cost of such a grandiose project. Towns once full of life became eerily quiet; occasionally there would be the sound of explosions as buildings were demolished. Migrant labourers armed with sledgehammers, wearing only sandals on their feet, worked till dusk dismantling properties and collecting scrap to sell. Fearful faces would occasionally peer out from half-destroyed homes watching this incredible transformation. These were the unlucky families who had not received compensation—either because of corrupt local bureaucracy or because they had simply fallen through the net. One woman broke down crying when I asked her about her plans. She had moved to Badong after divorcing her husband and supported her two sons by selling tofu that she made in the town market. On the wall of her rented accommodation was a Chinese character in broad red brushstrokes—it said “dismantle.” Ineligible for compensation because her residential status was for her previous home in another town, and without enough savings to move, she was destitute.

The images depict the affected communities, each undergoing transformation whilst cityscapes become construction sites before settling into their new form as walls and hollowed spaces for a giant new reservoir. Whilst this is just one significant aspect of a much larger and complex story, the story ultimately leads us to ask if these sacrifices were all worth it? Official estimates put the cost of production at $23 billion USD, however international experts believe it cost more than double that. Taking more than a decade to complete, it now produces more than eight times the capacity of the U.S.’s Hoover Dam and about three percent of China’s energy needs. The raised water levels also increased the amount of cargo transported across the river to 50 million tons, triple the maximum annual amount prior to the dam’s construction.

Since the dam started working at full capacity in 2012, a further 100,000 people will have to be moved over the next three to five years because of landslides and bank collapses. It is estimated that the number of landslides and other natural disasters have increased by 70 percent since the reservoir filled up in 2010, perhaps a sign of the inherent instability for any large scale project tasked with storing such enormous amounts of water. Over 265 billion gallons of raw sewage are dumped into the Yangtze annually, which now collects in the reservoir; however the government insists new sewage treatment plants have this under control. Beyond this, although there has been no concrete evidence, there has been talk about the scale of the project being linked to the Sichuan earthquake, and exacerbating the 2011 drought which in turn negated most of the dam’s plus points: ships were stranded and central and eastern China faced a power shortage.

Perhaps a telling sign of the seriousness of the problems that continue to plague the project is the reluctant but necessarily vague admission issued by China’s State Council: “Although the Three Gorges project provides huge comprehensive benefits, urgent problems must be resolved regarding the smooth relocation of residents, ecological protection and geological disaster prevention.” Looking back, I see a dream of a nation, but also the cost, not only for then, but for all of it that still continues to the present day.

A worker carries tools uphill on a vast construction site with a massive industrial complex under construction along a river in the background, from Ian Teh's 'The Vanishing' series.

A worker returning home after a day’s work at the Three Gorges Dam construction site. In the distance, a three-storey boat is dwarfed by the gigantic 1.3 mile wide construction which has nearly blocked off the river. Although the final completion date for the dam is not until 2009, it has been operational since 1st June 2003. Sandouping, China. 2002.

A washroom with a row of sinks and two mirrors reflecting subjects and a misty river scene, from Ian Teh's 'The Vanishing' series.

An old passenger boat on the waters of the Yangtze River by the Three Gorges. Hubei, China. 2000.

A woman holding a red and white umbrella walks past a person carrying a load on a blurred street, from Ian Teh's "The Vanishing" series.

The last vestiges of normal life in a town that has virtually been destroyed. The mass exodus of its population has turned the old section of the city into a ghost town. Wanzhou bridge once the defining landmark of the city is now weeks away from being dynamited. Wanzhou, China. 2002.

A lone figure with an umbrella walks down a wet, rubble-strewn street amidst destroyed buildings, from Ian Teh's 'The Vanishing' series.

The destroyed old city of Wanzhou, only a few remaining local inhabitants are left behind. Mostly migrant workers remain to dismantle the city by hand and occasionally by using explosives. Wanzhou, China. 2002.

A child walks across a vast, muddy urban demolition site with a dense city skyline in the background, from Ian Teh's 'The Vanishing' series.

Recent settlers from the new city return home after a visit to the banks of the river. In the foreground the old city of Fuling has been razed and the land reclaimed to protect it from the eventual rising waters. The front row of darker buildings are all that is left of the old city. Higher up in the distance, a strip of lighter buildings mark the beginning of the new city. Fuling, China. 2003.

A dense crowd of people, many carrying bags and luggage, are gathered in a busy indoor space, from Ian Teh's "The Vanishing" series.

Migrant worker and travellers. Boat services to Yichang are disrupted due to the completion of the dam and the last section of the journey replaced by bus services. Yichang, China. 2003.

A person carrying a basket walks across a muddy, desolate riverbank towards boats on a wide river, with a town on a distant hill, from Ian Teh's 'The Vanishing' series.

Migrant worker heading to the local docks after the recent demolition of the town. Zigui, China. 2000.

Two figures huddle together in a dimly lit room, from Ian Teh's 'The Vanishing' series.

Two brothers playing in their home. Their family are one of the last remaining inhabitants in this partially demolished town. Badong, China. 2002.

A crowded communal dormitory scene features multiple people resting on bunk beds and floor mats, part of Ian Teh's 'The Vanishing' series.

Families relocating by boat. Yangtze River, China. 2001.

A photograph by Ian Teh from 'The Vanishing' series shows laborers carrying large white sacks in a dense urban setting, viewed through the dark interior of a vehicle.

Labourers unloading sacks of salt from a nearby barge. Many of the labourers in cities and towns along the river come from surrounding villages in the hills, they flock to the larger towns for jobs and better wages. Yun Yang, China. 2000.

An image from Ian Teh's 'The Vanishing' series, showing blurred figures moving through a narrow, walled passage.

Migrant workers carrying a heavy concrete block using a modified traditional shoulder pole. They sing in unison to coordinate their movements. The destruction and and relocation of the population living on the banks of the Yangtze is one of the largest of such projects in history. Zigui, China. 2000.

A bustling street scene depicts people carrying various goods and packages, including one man balancing items on a shoulder pole, with buses and market stalls visible in the wet background.

Labourers carrying belongings with a traditional shoulder pole at the bus station for inhabitants relocating to the new town. Yunyang, China. 2000.

A person works in a small, open-front shop beneath a partially demolished building, while another person holds a large blue sign in the foreground.

One of the last remaining inhabitants, a barber works in a demolished high-rise building where only the ground floor remains intact. In the foreground, a labourer walks past carrying a mirror salvaged from a building soon to be demolished. Wushan, China. 2002.

A young man smiles in a rustic workshop with another blurred figure and traditional elements, from Ian Teh's 'The Vanishing' series.

Workers in a small privately owned noodle making factory along the Yangtze River. Many locals owning private businesses remain as long as possible in order to save up for the relocation. There are often complaints of state compensation not being enough for the resettlement. There are also many cases reported of compensation not being paid to locals due to corruption by local authorities. Chongqing, China.

A photograph by Ian Teh from "The Vanishing" series shows four people on a riverbank observing boats on a wide, misty river with buildings on distant mountain slopes.

Locals looking at Badong, a town that will eventually be two thirds submerged when the Three Gorges Dam is completed. Badong, China. 2002.

A worker in blue workwear raises a sledgehammer amidst a rocky quarry, from Ian Teh's 'The Vanishing' series.

Migrant worker at a construction site in the new town. The town is built higher up the mountains and will replace the old town that will eventually be submerged upon the completion of the Three Gorges Dam. Yunyang, China. 2000.

People carry bundles of salvaged materials through a devastated landscape with collapsed buildings and mountains, from Ian Teh's series 'The Vanishing'.

Migrant workers dismantling a recently vacated building. The workers supplement their poor income by selling scrap metal and bricks salvaged from demolition sites. Badong, China. 2002.

Two laborers, one carrying bricks, work amidst rubble with a river and mountains in the background, from Ian Teh's "The Vanishing" series.

Migrant workers from surrounding villages dismantling a recently vacated building. The dam has had many far-reaching impacts. One of them is the destruction of thousands of cities, towns and villages along the river. The purpose of dismantling buildings is to clear a path for the eventual submergence and to prevent disenchanted ex-inhabitants from returning to their old dwellings. Badong, China. 2002.

A small boat emitting dark smoke moves across a wide, hazy river, with a person on the bank and larger industrial ships in the background.

Daily life on the Yangtze River. China. 2001.

A person rests their head on a table in a dimly lit, worn room, from Ian Teh's series 'The Vanishing'.

Last inhabitants. As the last inhabitants move out, business activity of these old towns ground to an inevitable halt. Badong, China. 2002.

A moody, green-toned photograph from IAN TEH's 'The Vanishing' series shows a man smoking at a table while another man looks towards the viewer.

Locals sitting in a local eatery. They have not ordered food, but are instead using the space to rest, whilst outside buildings are being demolished. As the last inhabitants of the town move out, the business activity of these old towns ground to an inevitable halt. Badong, China.

A woman in a patterned apron stands on a boat or multi-level structure, surrounded by other people, as part of IAN TEH's 'The Vanishing' series.

A street vendor selling food to passengers on a boat. Yichang, China. 2001.

An overhead view shows several people, including children, sleeping closely together in a confined space, framed by a decorative railing, from Ian Teh's 'The Vanishing' series.

A displaced family traveling by boat to relocate to one of the coastal cities in the East. The displaced are encouraged to move to the new cities or under-populated regions, which are generally impoverished areas such as Xinjiang, Tibet and Gansu. However, many have also taken their chances by joining China’s 150 million floating population and travelling to the richer coastal cities in the East in search of work. China’s complex residential laws mean that many of those who choose to relocate to places that do not fit with the Government’s relocation programme will lose out on social benefits. Yangtze River, China. 2001.

A blurry night photograph by Ian Teh from 'The Vanishing' series, showing figures and a car by a river with city lights in the background.

Night life on Chaotianmen docks. Business men go for dinner on floating Chinese restaurants on the river. Chongqing, China. 2003.

A photograph from Ian Teh's 'The Vanishing' series, showing people in an indoor setting with a blurred figure and hanging hard hats.

Living quarters of construction workers at the Three Gorges Dam construction site. Sandouping, China. 2003.

A man from Ian Teh's 'The Vanishing' series looks towards the viewer, standing near an open container in a twilight outdoor scene with two other blurred figures.

Migrant workers. Yichang, China. July 2001.

A group of people with umbrellas stand among household items and stacks of bricks in a vast, cleared landscape with mountains and a body of water in the distance, from Ian Teh's 'The Vanishing' series.

The last remaining family moves home. In the background is a levelled construction site, this used to be the site of the old city. Wushan, China. 2003.

A hazy view of a river flowing between two large mountains, part of Ian Teh's 'The Vanishing' series.

A view of the The Three Gorges a few days before the waters rise due to the inundation of the dam. Yangtze River, China. 2003.

A lone figure walks away into a snow-covered landscape towards buildings, from Ian Teh's series 'The Vanishing'.

The new city of Mao Ping, hailed as a model city by the government, it is an example of the new redevelopments that are supposed to replace the old cities and towns along the Yangtze River. However, many new cities suffer from high unemployment, often as high as 50%, and many residents complain about the high cost of renting and buying property. Mao Ping, China. 2000.

A city skyline obscured by dense fog, with distant buildings fading into the haze and a single orange light visible in a closer building.

New construction higher up on the hills of the Yangtze River. Chongqing, China. 2000.

A blurry young girl in the foreground holds up a blue garment on a sandy riverbank, with a massive concrete embankment featuring Chinese text and other people in the background.

New settlers visit the riverbanks by the newly built docks in Fuling. Land has been reclaimed and the docks built to accommodate the rising waters of the river in the coming months. Fuling, China. 2003.

A wide river view with a distant, hazy industrial landscape featuring many construction cranes, from Ian Teh's "The Vanishing" project.

A view of the Three Gorges Dam under construction, a view seen from the Yangtze River. Sandouping, China. 2000.

All images courtesy of Ian Teh (CC BY-NC 4.0).

Recommended Citation

Teh, Ian. 2017. “The Vanishing.” Open Rivers: Rethinking Water, Place & Community, no. 8. https://openrivers.lib.umn.edu/article/the-vanishing/.

DOI: https://doi.org/10.24926/2471190X.2980

Download PDF of The Vanishing by Ian Teh.