International

Filter Content by Category

A vibrant mural painted on a long wall in Prampram, Ghana, depicting historical and cultural themes. The artwork includes an image of a figure in regal attire, a portrait of another individual, and a raised fist. Text on the mural features quotes, including one referencing Marcus Garvey. The wall is set against a sandy ground with a palm tree to the left and a partly cloudy sky above. Image courtesy of Ebony Aya. Alt text generated by Perplexity AI.
Feature (Peer Review)

Spirituality and Ecology: (Re)Membering Black Women’s Legacies

By Ebony Aya. I don’t have a green thumb, or at least one I have discovered yet. Keeping my indoor plants alive has been an ongoing struggle! And the outside plants? On the off chance that I do decide to plant, which I did try to do for several years, my yields are few and far between. I sometimes forget to water. Rather than doing the necessary research to understand what things can actually grow in my environment, I have often just dived right in to see what works.

Geographies

Narmada Parikrama

By Vivek Ji. The waters of the Narmada River flow as though carrying a divine grace, ancient wisdom, and a sense of spirituality. This mystical river, known for its sanctity in India, has witnessed countless people embarking on a journey of devotion and introspection: the parikrama, a sacred circumambulation that spans the length of this majestic waterway.

The image features the cover of the book "All We Can Save: Truth, Courage, and Solutions for the Climate Crisis." The book is labeled as a national bestseller, with a quote from The New York Times at the top. The background includes a landscape with a cloudy sky and a ground covered in orange and green moss. Surrounding the book are illustrated flowers, including a red poppy and yellow blooms, adding a natural and vibrant touch to the scene.
In Review

All We Can Save

By Marceleen Mosher. All We Can Save: Truth, Courage, and Solutions for the Climate Crisis, edited by Dr. Ayana Elizabeth Johnson and Dr. Katharine K. Wilkinson, is an anthology for anyone looking to turn away from the brink of disaster and toward a life-affirming future for all of Earth’s inhabitants. The collection brings forward the feminist voices of people at the forefront of the climate movement, weaving together creativity and science through essays, poems, and art that face the existential threat of climate change head-on while illuminating a way out of our current mess with energy, humility, and a spirit of collective action.

Crew excavating eroding house at Walakpa in 2017. Image courtesy of the Walakpa Archaeological Salvage Project.
Geographies

Libraries Burning

By Phyllis Mauch Messenger. For much of the planet, 2023 was the warmest year on record, and the 12 warmest years have all been documented since 2005.[i] The repercussions of this warming pattern, of undeniable climate change, are both dauntingly real and not yet fully knowable, both immediately problematic and also intensifying over time.

The article republished here demonstrates a commitment to action and hope in the face of climate change. In 2019, Phyllis Mauch Messenger detailed the work of several archaeological projects across the Arctic region focusing on salvaging materials long held in permafrost landscapes that are at risk due to warming temperatures.

Detail from The Keeyask Dam site on the Nelson River, 2019. Image courtesy of Aaron Vincent Elkaim.
In Review

Stories to the Surface: Revealing the Impacts of Hydroelectric Development in Manitoba

By Caroline Fidan Tyler Doenmez. Manitoba, although known as one of Canada’s prairie provinces, is arguably more defined by its waterways. One story tells that the very name “Manitoba” was born from water, derived from the Cree words Manitou, “Great Spirit,” and wapow, “sacred water,” to describe the sound of waves crashing against an island on Lake Manitoba (Sinclair and Cariou 2011, 4–5). The Red and Assiniboine Rivers, two prominent entities of movement and memory, meet in the heart of the province’s capital city of Winnipeg. The northward-flowing Red River empties into Lake Winnipeg, the tenth-largest freshwater lake in the world. The northern area of the province is dappled and threaded with thousands of lakes, abundant rivers, and watersheds. It is here, in the north, that water has been harnessed and commodified as a source of energy by Manitoba Hydro for the past six decades. Today, according to provincial and Manitoba Hydro websites, a staggering 97 percent of electricity generated in Manitoba is derived from hydropower (Manitoba Hydro 2023a, 9).

The main Tamar crossing at Saltash, engraved from a painting by J. M. W. Turner around 1830.
Feature (Peer Review)

A Fluid Border: The River Tamar and Constructed Difference in Travel Writing of Cornwall

The Tamar is a relatively modest river. With a length of just 61 miles, and an average discharge at the upper tidal limit of just 807 cubic feet per second, it is dwarfed by other British rivers such as the Severn and the Thames. But despite its small scale, the Tamar has a heightened cultural significance: for more than a thousand years it has served as the border between the bulk of England to the east and Cornwall—a region with some distinct quasi-national characteristics—to the west. Nineteenth- and twentieth-century travel writers’ accounts of crossing this border have tended to construct the Tamar as a site of absolute transition from familiarity to otherness—a construction which has at times intersected with (and arguably informed) the emergence of modern identities of difference from within Cornwall.

Sunset at Governor’s Landing overlooking Amistad Reservoir. Image by Seth Dodd/NPS.
Feature (Peer Review)

Not a Border, But a Path: Swimming Across the Rio Grande

On a cool November day, I floated in the middle of Amistad Reservoir, a lake formed by a dam on the Rio Grande. I was swimming from the United States to Mexico and back, a ten-mile round trip. From the middle, I could see two of the widely spaced buoys that mark the path of the river under the reservoir, one on either side of me; up on the dam, I could see two flags waving in the wind, one for each country. But in the water itself, there was no way to tell if I was in the United States or Mexico, no line to mark the boundary between the two nations. My body floated in both countries and in neither. There was no border; there were only the water and the sky.

Detail of boats on the Salween river-border with Thai flags. Image courtesy of Zali Fung.
Geographies

When the Border is a River: A Journey Along the Salween River-Border

Rivers might appear to be a natural or even an expedient way to demarcate political borders. Yet rivers are always in flux as flows of water, sediments, and fish and aquatics shift with the rains and tides. For rivers to serve as borders, individuals, communities, and governments engage in a range of efforts, such as erecting walls, fences, or signs, underlining the reality that borders are actively constructed through contested sociopolitical processes and in everyday life.