In this article, I write about defensoras del agua y medio ambiente, water and environmental defenders: the women participating in an anti-extractivist struggle in northern Peru, defending water against the expansion of a large-scale mining operation in Celendín’s headwaters which mobilized a social movement against state and corporate forces attempting to expand the Yanacocha mine to nearby territory.
Pak T’ae-wŏn’s 1938 modernist novel Scenes from Ch’ŏnggye Stream (Ch’ŏnbyŏn p’unggyŏng, 천변풍경) is one thought-provoking example of these human-environment relationships in literature. Scenes from Ch’ŏnggye Stream provides an intimate portrayal of ordinary life for lower-class Koreans living along the Ch’ŏnggye Stream in a rapidly urbanizing and modernizing 1930s Seoul under Japanese occupation; it reveals how environmental, social, and political factors can mingle together to influence urban river environments and culture.
Endless hours writing and analyzing samples in the lab was not the most difficult part of graduate school, however. It was walking into a class and seeing that, yet again, no one else looks like me. It was walking into a room and knowing I must fight twice as hard to disprove any underlying biases people might have of me. It was when comments were made that weren’t necessarily targeted at me, but that impacted me because I was the only black woman in the room, lecture hall, or meeting.
The association between WASH services and gendered vulnerability to violence in rural locales and urban slums in developing countries has received the most study, but women everywhere are vulnerable when they lack access to, or are accessing, WASH services. All of which leaves one asking why global leaders focus on the possibility of future water-related conflict rather than respond to the very real crisis conditions in which women and girls exist now?
Through interviews, surveys and focus group discussions with 258 households in Mathare during 2016 and 2017, I found that women faced huge challenges and trauma in collecting water. Besides the woes of finding a running tap and wasting valuable time waiting in queues, procuring water entails physical hardship that often leads to mental agony that sometimes even threatens the women’s safety.
What is it to “know” rivers? As an artist I have been asking myself this question for over twenty years. Ever since an artist residency in Cleveland, Ohio led to my encountering the burning river history of the Cuyahoga River, I realized that all rivers have stories, and to learn of their histories was to explore and listen. In this essay, I will focus on my research on different rivers, sharing the meandering paths which have led me to explore these rivers and my creative responses to them in the form of mixed-media art installations that seek to reflect the complex relationships between land, water, and peoples. To contextualize the impetus for what developed into an ongoing series of River Fugues projects, I will offer some personal history. Although I was born in the United States (in Memphis, Tennessee along the Mississippi River), I went to Japan with my parents when I was 18 months old and lived there until I was 13 years old…
Our modern ways of living have created an environmental crisis that threatens the very survival of humans and many other species. Yet awareness of this situation, though it may create an urgent sense of responsibility and even guilt, does not necessarily translate into action to change our ways. A narrative of “ecological disaster” can alert the public to the need for action, but the scale of the crisis and lack of wisdom to act can be overwhelming.[2] So how can communities become motivated to respond?…